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Chul-min, meanwhile, gets captured by a group of unscrupulous military men who’ve decided to turn the apocalypse into their own personal fiefdom.
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Jung-seok, for his part, gets picked up by the remnants of the family he left behind on that fateful day, who’ve been surviving with their wits, some killer driving skills, and the aid of their survivalist grandfather. Before you can say “brains,” the team’s wiped out and Jung-seok and Chul-min are separated. Train to Busan Presents: Peninsula (Well Go USA)ĭon’t get too attached to the colorful characters that accompany them back to the all-too-familiar zombie wasteland of abandoned cars and worn-down buildings they’re not going to last too long.
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But salvation comes when a gang taps them to accompany a small team back to the peninsula to recover a truck full of money that was left behind in the zombie exodus. Cut to four years later: the world is ravaged, the Incheon Peninsula is entirely overrun by zombies, and Jung-seok and Chul-min eke out a modest existence among other refugees in Hong Kong (while the latter blames the former for getting his family killed). Of course, the refugee ship has its own dangers, with a small zombie breakout leading to the death of Jung-seok’s sister and her son, in one of the film’s most heartbreaking and effective moments. Right away, he’s faced with an impossible choice: save the young family who ask desperately for a ride (even offering to just have them save their young daughter), or keep driving? He chooses the latter, a decision which breaks his heart, but will drive the back half of this story in predictably heartbreaking ways. We open in the middle of the zombie apocalypse, and military officer Jung-seok (Gang Dong-won) driving his family, including his sister, brother-in-law Chul-min (Kim Do-yoon) and their child to safe harbor on a boat. Now, Yeon returns to direct Peninsula, a sequel-in-little-but-name that still offers some fast-running thrills, but bogs itself down in a depressing sense of familiarity. Yeon Sang-ho‘s 2016 thrill-ride Train to Busan was one of them, an inventive little bloodbath that didn’t just find fun ways to spin the premise of “zombies on a train”, but tells a nifty morality tale about the ways disasters strip us down to our most primal instincts. See Netflix’s South Korean zombie show Kingdom, for instance, or the giddy showbiz comedy of last year’s One Cut of the Dead.
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More an action thrill ride than a chilling horror, this is a refreshing and exhilarating movie that packs a few emotional punches alongside its blood-soaked action.The zombie genre has, pardon the omnipresent pun, been done to death - The Walking Dead and the glut of and yet, East Asian filmmakers have been finding all kinds of new ways to shake up the undead paradigm. Masterful touches such as having a baseball team onboard to add a believable reason for the survivors to have access to weapons is simply a delight. The sleepy train carriages are easily recognizable until the blood baths occur. Setting it apart from most horror movies, nearly all the action in Train to Busan takes place in daylight, adding an eerie, mundane quality. When key events kick off midway, the realization that you've grown to care for the main gang serves to up the emotional investment as the action continues to escalate. Throwing a kid in the mix adds heft to the drama, as does pregnant character, Seong-kyeong ( Yu-mi Jung). This includes Seok-woo (Gong Yoo) and his young daughter, Su-an (a brilliant Su-an Kim). Here a diverse group of people are brought together to fend off zombies on a very narrow train. As such, writer-director Sang-ho Yeon's smashing together of the disaster movie genre with modern running zombies - and all the frantic, breathless action they bring with them - makes Train to Busan a treat for fans of both genres. The zombie genre is so well worn, anything fresh to sink your teeth into is always darkly delicious.
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